Dance as an Collaborative Art

…Yea, I really cannot get enough of performance based arts. Because I have not had an incredible amount of experience in performance art, everything I find and explore has an enlightening appeal to it - much like if one was to uncover lost treasure. Although I might be partially exaggerating this wave of feelings that I get.

But seriously now, all these posts I have mentioned had to do with collaborated arts in which people speak face to face. What about if they didn’t? What if they didn’t speak face to face in the sense that no spoken word is communicated? What I would like to introduce is a collaborative art that is less vocally direct - dance. Dance as a form of collaborative art; an art in which communication is in the form of body movements.

Body language is often overlooked as people tend to put more meaning into spoken language. This is pretty much expected in that words are often more definable and give a solid explanation. Although it is tough to find the right words that a performer wishes to speak with the body, it certainly adds another level of connection with the audience. When one views the intricate movements played out by the dancers, our minds are put to work to make sense of it all. Even when there are no words, people are generally intuitive as to the emotions that are trying to be explained in such gestures.

What I enjoy about having a less direct form of communication such as the spoken language, is that body language leaves it to the viewer to interpret what is being said. And when it comes to interpretation, it is based off one’s own culture, background, experiences, etc. Thus, every interpretation is different. So when people explain a work of art or a performance in a straightforward explanation, it probably isn’t entirely true or entirely complete. Art is what you personally make of it.

Anyway, I just wanted to highlight an interesting dance group. They are called “China Disabled People's Performing Art Troupe”. This was partly why I was interested in exploring dance as a collaborated art and the connection that is formed between the performers without words. These performers are all hearing impaired so they do not communicate with the song played in the background – rather, they communicate with one another through the movements made prior to theirs. It was really amazing and inspiring to see their triumph over their disability and that they could do something so intricate through movements.

Flash Mobs

The preconceptions of art are pretty vested in the idea that it is an activity based soley on individual actions. Performance based art emerged and soon became a celebration of collaboration.

One of these mentioned arts is flash mobs - an example in which art deconstructs the stereotype that was created out of traditional art. Similar to Improv Everywhere, flash mob is a performative piece. A flash mob is an event in which a large number of people congregate at a certain place and perform a named activity for a certain amount of time. After completion of the named activity, the participants disperse as if nothing happened.

Flash mobs were first created by Bill Wasik in 2003. At first, the intentions of flash mobs were purely experimental. The socio-cultural experiment that was being conducted was to explore the psychological "needs" of people to fit into a particular "identification" - also known simply as conformity.

The idea that people would do something entirely ridiculous, such as having a world pillow fight, would invite many others to join. People are more willing to do these socially and cultural unacceptable acts when there is encouragement from a group. It’s all part of the sheep mentality – finding your flock to mingle with. I feel this experiment was a good way of bringing attention to the idea of how people react in social situations, especially since it gives a personal insight to analyze oneself.

Anyway, as this experimentation played out, it became more of a trend and part of an underground subculture. Although its intentions were to mock the idea of conformity, flash mobs took an unexpected turn and ironically, people embraced it. The Vancouver Sun wrote, "It may have backfired on him... [Wasik] may instead have ended up giving conformity a vehicle that allowed it to appear nonconforming." Flash mobs became popular for being “unconformist” and turned into a huge performative art venture.

Flash mobs, Improv Everywhere, and other collaborative based works in which random participants join, build a sense of community. In due time, they will perhaps, break the social and cultural barriers that dictate how a person acts when confronted by a total stranger. These norms tell us that we should be rigid, in our place, and “normal”. These sort of barriers tend to keep us from say, turning our head on the bus to talk to a stranger. I deal with this type of harsh mentality too – the kind where you create a space between you and a stranger. Perhaps part of the paranoia stems from the fact that the media tends to inflict a certain amount of fear. The fear of “don’t take candy from strangers” because the media tends to exaggerate the amount of kidnappings, rapes, and etc, that really happen in the world.

People fail to realize that we are all similar beings. We have favorite foods, favorite bands, and stuff like that. With these flash mobs and Improv Everywhere, I feel as if any conversation or word spoken between random strangers is a nice triumph over the spaces that society’s “norms” have shaped for us. I guess we all just have to start looking at people from a different perspective, such as how similar we are as opposed to how different.

I think I may be starting to go off to a tangent now.

Completely Important Unrelated Topic...

...that I'd like to get out there. In a sense, it IS related in the most indirect, yet direct way possible to collaborative arts. I guess it depends on how you view it. Some view blogging as a socio-political based blathering. On the other end of the spectrum - way off the chart - it is a communicative experience in which you collaborate in an entire network of participants. It is art to me, because as one has said before,

"Art is an interpretation.
If one notices it [such as a blog post],
interprets, and creates a mental decision of it,
then it is art."

Okay, perhaps I did not completely explain it with all the words. And perhaps it wasn't even a quote. But the idea was there. I just like making it look fancy and presenting it in a template that makes it seem other-worldly.

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But now to the real-completely-unrelated topic. I just wanted to offer a perspective, which I most certainly would be ridiculed for. But read because I feel its important, if you are remotely interested in my musings.

So for about a few months now, I felt a figurative ache, one that resided in my subconsiousness. I felt like it was an internal struggle to focus and get to class. It probably is this way for many people. However, I know that I'm intelligent, I know that I'm not lazy, and I know that contrary to the popular belief, I'm not a WoW addict (<- leading cause of college dropouts). The real problem lies within my satisfaction and expectations. For most of my life, I've been taught the hardships and struggle of living. My parents and family would always verbally regurgitate the ideals of School and hardwork! Time and time again I would agree because I believed elders are always right.

Come senior year of high school, I remember when I started thinking about colleges. Of course, everyone else was doing it too at the time. And when I saw UC Irvine I thought, "Oh, all these majors, what do I want to do?" Of course, I naturally gravitate toward studio art because I feel I'm good at it (said in the most humble way possible).

And come third year, I start to think what was the cause of my inability to focus on class. Work that would normally take 10 minutes would take a lifetime...of a mayfly lifespan (because they are only considered an "adult" for one day and... that was a bad joke). To put it into perspective, I currently am taking a digital art class. And if you've read my autobiography page, you would have seen that I wanted to be a web designer, illustrator, blah blah. The problem is that I kept struggling and not understanding why I hated working on the class projects so much, even though I said that is what I wanted to do.

But anyways, through a long mystical journey into my subconcious (without the use of psychedelic drugs mind you), I realized that going to an elite social institution wasn't what I wanted. Web designing and illustration were the job ideas that I considered because I was just "settling" on job satisfaction. I decided on those because I felt I was decent in art and that I kept thinking in terms of college, not my satisfaction. It was just twenty years of my parents and family molding me to believe that I wanted a degree, a high paying job, a family, a white-picket fence. And here I was, going to class every single day, living to these expectations set out for me since day one, when I took a breath of smoggy L.A. air in some non-distinct hospital.

These social expectations to have the American Dream are everywhere around you. We grow up learning it. And then we grow trying to achieve it. And often times, we are too busy to realize if that is what we really want.

Now, I'm not saying we should all just dropout of college and be stupid. I for one am just going to graduate with a degree because I feel a deep obligation to my parents to make them proud of me. I am so totally going to attend a CSU and get a degree in park management to be a Park Ranger! Completely unrelated again. But really, if i land a desk job in a 4X4 cubicle, I will seriously consider stabbing myself in the leg with pen. Seriously.

Anyway, this post is just meant to incite a time to think for yourself if what you are doing in college and in life is for you. Don't do what everyone else is doing. Find out what your expectations are - unless you truly want the whole job, money, and family, then go for it by all means.

I'm sorry my writing is so terrible and it's confusing to understand.

..and here is the REAL quote of the day:

"Dream as if you'll live forever,
Live as if you'll die today"
- James Dean

IE: "We Cause Scenes"

... And so you ask yourself, "what are a bunch of half-naked, dashing young men laying on a field of the greenest grass?" These are Improv Everywhere "agents", and they most certainly caused a scene when they herded their bare-chested bodies into an Abercrombie and Fitch store in an attempt to manifest the brand's media image.

Created in the spirit of performance art, Improv Everywhere is a prime example in which this Collaborative Arts blog praises: art works that revolve around communication, interaction, reaction, and most of all, FUN!

But down to the facts: Improv Everywhere started in the year of 2001 in New York City by Charlie Todd, an improv-based comedian of the Upright Citizens Brigade. Todd sets up a "mission" that participants (anyone who wants to participate) meet up for at a set time and place. The number of participants can start with one up to a hundred-eleven participants. Most of the time it is on a grand scale for the amazement factor. After congregating, Todd finally tells them what they have to do. Improvisation occurs - and then the laughter ensues.

Some of the most notable missions include:


BEST BUY:

- This is where 80 participants dressed up as Best Buy employees and entered a Best Buy and browsed the aisles. A lot of confusion - keep the audience guessing and on their toes.


Frozen Grand Central:
-By far one of my most favorite missions that I have seen. This video clearly shows the interaction and reactions of the audience that IE elicits.

I think Improv Everywhere has created an exciting image for performance art. It is especially pleasant that anybody can sign up to participate and have a light humor in, as opposed to conceptual artists who perform on critical notions. There are other sorts of performance art that are similar to IE - they'll be mentioned later in the week.


There are over 70 missions that have been executed. If you'd like to see more, videos are posted on the IE website.

The Happening

..no, this Happening is not M Night Shyamalan's apocalyptic film about an infectious pandemic of a suicidal neurotoxin.

The Happenings I speak of is a type of performance art event that started sometime in the late 50's. What happens in a Happening (I enjoy being redundant. sort of) is that a crowd of people congregate at a specified location and perform either planned or improvised actions. The locations and actions always changes. Happenings were created to put an emphasis on action as art; According to the Museum of Contemporary Art website: "action is extracted from the environment, replacing the traditional art object with a performative gesture rooted in the movements of everyday life".

The really cool thing about a Happening is that many, many people participate so that at any given time, there is always an action taking place - even if someone needs to take a bathroom break. I really enjoy how interactive it is as the experience changes with each participant and their specified action and the viewer of the participant's action.

Just to give an example of how trendy a Happening was back in the 50's - Wikipedia stated that: "In the later sixties, perhaps due to the depiction in films of hippie culture, the term was used much less specifically to mean any gathering of interest, from a pool hall meetup or a jamming of a few young people to a beer blast or fancy formal party."



I'll think between the lines whenever I ask people, "What's Happening?".

Great Success

So a couple of weeks ago on a particular uninspiring night after having a late dinner at a noodle place with my friend Chris, we decided to check out a local tattoo shop. It was a small shop, glowing with neon purple "OPEN" and lights - this was a really obscure shop that was was tucked away behind a large food mall, pretty much exiled to the corner.

We walked in when the store was closed (yes, the neon "OPEN" signs were rather deceiving). There were other similar aged people and we somehow got engaged in their discussion. (Or rather, it was more like a lecture by this one tattooist named Andy.) He was medium built, medium height, medium age, etc. But this Andy didn't have as average thoughts about art. He had big ideas to share. He showed us a youtube video called Art Fusion Experiment.

The premise of Art Fusion is pretty simple:

"...to help each other, work together, get to know each other more." - taken from the video.

It started out as a tattooist experimenting with a group other tattooists. They wanted to break from the mean and try something completely unheard of - working collaboratively and freehandedly on a full body tattoo. They were met with great success, so great that Borat would approve. This group then decided to take the ideas to the gallery walls. They again were met with success and gained the approval of institutional art critics.

This method of working collaboratively to create art is innovative in many ways:

(1.) communication in the art process - typically unheard of because traditionally, an artist would work alone

(2.) new styles/forms of art - by combining two artists styles, you get a nice fusion style that the world has never seen. I guess a comparison would be like watching the chef Ming Tsai cook a fusion of Asian-European cuisine on "East meets West" on FoodTV.

(3.) collapse of the ego - I may have phrased that incorrectly because it sounds more negative than positive. But anyway, it basically breaks down the external pressures on an artist to create a magnificent piece of art that completely puts other artists work in the dust. In collaborative art, every artist contributing to the work is not pressured to compete with other artists - thus, makes for an enriching experience. According to Wikipedia, who can say this more eloquently:

"Any one artist could spend an hour detailing an element of a canvas and in the blink of an eye, another artist may step in and change it entirely. Though this presents the most frustrating element of the exercise, it is an integral part of the ego-cleansing process that is so inherent of ArtFusion Camp. As a result, a newfound unity develops between the artists. Through the chaos that is the ArtFusion Experiment, many harmonies reveal themselves."



This video really inspired me to think a lot about collaborative arts It is also why I created this blog. I wanted to both explore concepts behind working together and communicating for art and also to share whatever insights or fun facts I come across.

"Great Success!"

Introduction

A man walks down a pristine hallway of a museum in quiet contemplation. An ornately framed painting is hung at eye-level. The man then proceeds to step directly across the artwork, viewing the work at a distance and with such scrutiny.

This description is a rather popular conception of art. One typically imagines art to consist of:

(1). artist
(2.) artwork
(3.) viewer

I thought that way until I went to UC Irvine. I was surprised to learn during my lectures that art is not just limited to an aesthetically pleasing image. Rather, it consists of communicative experiences that initiates a process of dialogue between people.

As a student of the arts, I feel that I should share what I have learned and experienced about the other aspects of art and its forms - especially when it involves more than one person at a time. Collaborative arts stresses the importance of communication.

..In fact, blogging on the internet could be seen as an art piece as it involves many people communicating over cyberspace.

(o O:)3